Vitra
Happy Bin Large
Office accessories designed by Michel Charlot introduce unusual organic-shaped designs to the usually austere office environment. Inspired by cartoons and sculptures, the different containers add a cheerful touch that will brighten up any setting.
A sculpture by Hans Arp prompted Michel Charlot's design of the Happy Bin. While respecting industrial production methods and material properties, the lightweight, irregular shape of the waste paper bin was designed to appear almost to have grown naturally.
The Happy Bin is made of robust plastic and comes in two sizes and a selection of colours.
Our design consultants are ready to help. Our online store is just a small edit of our full collection, for more options and information on sizes, fabrics and finishes, please visit us in-store or enquire now.
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Vitra
Happy Bin Large
Office accessories designed by Michel Charlot introduce unusual organic-shaped designs to the usually austere office environment. Inspired by cartoons and sculptures, the different containers add a cheerful touch that will brighten up any setting.
A sculpture by Hans Arp prompted Michel Charlot's design of the Happy Bin. While respecting industrial production methods and material properties, the lightweight, irregular shape of the waste paper bin was designed to appear almost to have grown naturally.
The Happy Bin is made of robust plastic and comes in two sizes and a selection of colours.
Our design consultants are ready to help. Our online store is just a small edit of our full collection, for more options and information on sizes, fabrics and finishes, please visit us in-store or enquire now.
Vitra
Based in Switzerland, the Vitra company produces furniture for the home, the office and for public spaces - Vitra for the home is part of the Space collection. Collections by American modernists Ray and Charles Eames and George Nelson form the foundations for the group that works with leading international designers 'Antonio Citterio, Jasper Morrison, Hella Jongerius, Ronan and Erwan Bouroullec' to produce a collection that aims for both high functional and aesthetic longevity. Through its Vitra Campus architecture, the Vitra Design Museum, workshops, publications, collections and design archives, Vitra could also be described as a philanthropic design supporter.
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