Milan Unpacked Vol 02

At Milan Design Week it was the year of re-editions and layered materials for standout brands, and exciting new releases across dining, outdoor, storage, accessories and the home office. At Baxter that included the exploration of a richly textural palette. As Adrian Preman, a senior stylist at Paul Conrad Architects remarked, ‘Baxter’s diverse new collection masterfully blends leather, lacquer, stone and chrome, featuring iconic silhouettes that will undoubtedly be the design classics of tomorrow.’

Kartell also moved further into material diversification, their latest editions including rattan that has shaped the Belvedere chair. Launched as a prototype last year, it now defines a design catalogue that features a breadth of materials including wood and steel. While at Giorgetti, rattan reinterpreted the elegant Plume chair, a classic from the brand’s back catalogue that expresses the crafted warmth of iconic Vienna straw.



'There was a noticeable return to warmth, with a clear 1970s influence re-emerging across many presentations,’ remarked Léo Terrando, designer and Creative Director of Léo Terrando Studio. ‘Earthy browns, soft beige tones, stainless steel, and the occasional injection of cobalt blue shaped a nostalgic yet current palette. Another key impression,’ Léo adds, ‘was the contrast in texture; shaggy rugs paired with polished stainless steel coffee tables, thick wall fabrics with a glazed sheen next to raw timber,’ describing a ‘tactile playground’ where texture, colour and materials were centre stage.

Dining

The Marilyn chair in buttery lacquer is in material sync with the richness of the Lagos table's marble and Patagonia granite, a natural stone with dramatic light and dark hues, and its handcrafted metal legs. Photo c/of Baxter.

The Y25 table designed by Pietro Russo for Baxter is a study in form and material, photographed inside Casa Sul Lago on Lake Como. Photo c/o Baxter.

The Marilyn chair, with and without arms, designed by Draga & Aurel for Baxter, photographed inside Casa Sul Lago on Lake Como. Photo c/o Baxter.

The exquisite Le Cupole by designers Francesco Meda and David Lopez Quincoces for Acerbis, creates a dialogue between stability and lightness in Calacatta Oro and Nero Marquinia marble. Photo c/o Acerbis.

Le Cupole by Acerbis was one of Milan Design Week's standouts and represents the brand's exciting trajectory with art directors Francesco Meda and David Lopez Quincoces. Photo c/o Space.

The Serenissimo table designed by Lella & Massimo Vignelli for Acerbis. Photo c/o Acerbis.

A detail of the Contro Peso table and its wavy liquid-look surface designed by Ronan Bouroullec for Glas Italia. Photo c/o Glas Italia.

The Contro Peso table in clear glass, its wavy liquid-look top playing with light. Photo c/o Glas Italia.

The Opalia collection of tables designed by Patricia Urquiola for Glas Italia is shaped by the beauty of imperfection and the celebration of material circularity by using recycled glass in the manufacturing process. Photo c/o Space.

Two of the standout pieces unveiled this year include the Y25 table designed by Pietro Russo for Baxter, and Le Cupola table by Francesco Meda and David Lopez Quincoces for Acerbis. For Baxter, the Y25 reaffirms their focus on ‘a kind of design that transcends time, stirs emotions, and gives shape to spaces that are at once a refuge, a manifesto, and a poetic gesture.’ While for Acerbis, Le Cupole is a tribute to geometric purity and sculptural elegance ‘that transforms the power of material into a gesture of absolute balance.’

Designed by Baxter’s longtime collaborator, Milan-based designer Pietro Russo, the Y25 table is evocative of architectural forms, combining a rigorous geometric balance inspired by the minimal art movement. Working closely with skilled artisans, the table is elegant and sophisticated, and explores the designer’s interest in science fiction, art and music, geometry and the power of light to shape one-of-a-kind objects, and as Leonie Evans, Group Head of Retail Design at Space, remarks, ‘The cloudy mirror finish is stunning.’ 



For Le Cupole (meaning marble-sculpted domes), designers Francesco Meda and David Lopez Quincoces have created a dialogue between stability and lightness in Calacatta Oro and Nero Marquinia marble. The curved surfaces and soft lines enhance the sense of symmetry, with refined details and brass inserts to enrich the composition. ‘The carefully calibrated interplay of proportions accentuates the contrast between the solid presence of stone and the essentiality of the design,’ remarked the designers, ‘elevating the harmony between full and empty, structure and surface.’

Baxter launches their collections across venues including the Baxter Cinema in central Milan. Photo c/o Space.

Baxter launches their collections across venues including the Baxter Cinema in central Milan. Photo c/o Space.

The Baxter Lagos table with Inga chairs designed by Roberto Lazzeroni. Photo c/o Baxter.

The Baxter Lagos table with Inga chairs designed by Roberto Lazzeroni. Photo c/o Baxter.

The Y25 table designed by Pietro Russo for Baxter. Photo c/o Baxter.

The Y25 table designed by Pietro Russo for Baxter. Photo c/o Baxter.

The Lana table designed by Christophe Delcourt for Baxter, photographed inside Casa Sul Lago on Lake Como. Photo c/o Baxter.

The Lana table designed by Christophe Delcourt for Baxter, photographed inside Casa Sul Lago on Lake Como. Photo c/o Baxter.

Le Cupola table by Francesco Meda and David Lopez Quincoces for Acerbis. Photo c/o Acerbis.

Le Cupola table by Francesco Meda and David Lopez Quincoces for Acerbis. Photo c/o Acerbis.

Detail of the Serenissimo table designed by Lella & Massimo Vignelli for Acerbis. Photo c/o Acerbis.

Detail of the Serenissimo table designed by Lella & Massimo Vignelli for Acerbis. Photo c/o Acerbis.

‘Among the standouts are Baxter’s monolithic steel Y25 Table and the Aegates Desk, in a luxurious glossy lacquer, serving as the crown jewels of the new collection.’

Adrian Preman, Senior Stylist, Paul Conrad Architects

At Kartell an expansive re-edition of dining chairs included the Lillabet and Audrey that were further tweaked in new colours. While the brand further embraced the use of AI, this time to reduce material waste. Adding to the A.I. chair collection and the principle of ‘ever more, ever less’, the new chair preserves the essence of the original and refines their manufacturing processes in line with the Kartell Loves the Planet initiative. While at Living Divani more iterations of Piero Lissoni’s sculptural Ouzo and Raki upholstered chairs added to their collection of quiet and refined pieces, that also included their Cafe and Ticino stools, juxtaposed by Glas Italia’s ongoing experimentation in glass finishes and textures. Patricia Urquiola’s inventive Opalia collection of high tables, low tables and vases, is shaped by the beauty of imperfection that shone a light on the important work the brand is doing across material circularity. Opalia remarked Urquiola, ‘refracts light and meaning, transforming recycled matter into poetic presence.’

The Kartell Audrey chair by Philippe Starck for Kartell, here and below/right, in all its new colours. Photo c/o Kartell.

The Kartell Audrey chair by Philippe Starck for Kartell, here and below/right, in all its new colours. Photo c/o Kartell.

The new A.I. Lite by Philippe Starck for Kartell uses less material in a manufacturing process designed by AI. Photo c/o Kartell.

The new A.I. Lite by Philippe Starck for Kartell uses less material in a manufacturing process designed by AI. Photo c/o Kartell.

Maxalto celebrated their 50th birthday with the Pathos50 by Antonio Citterio, here and below/right. Photo c/o Space.

Maxalto celebrated their 50th birthday with the Pathos50 by Antonio Citterio, here and below/right. Photo c/o Space.

The Kipferl chair designed by Antenna for Gebrüder Thonet Vienna. Photo c/o Gebrüder Thonet Vienna.

The Kipferl chair designed by Antenna for Gebrüder Thonet Vienna. Photo c/o Gebrüder Thonet Vienna.

The Momo chair designed by Swedish architects and designers Claesson Koivisto Rune for Arflex. Photo c/o Arflex.

The Momo chair designed by Swedish architects and designers Claesson Koivisto Rune for Arflex. Photo c/o Arflex.

Outdoor

One of the most exciting categories in design right now is outdoor, with brands including B&B Italia (this month they launch their world-first B&B Italia Outdoor showroom in Sydney), Living Divani, Kartell, Baxter and Serralunga. As Adrian Preman remarked, ‘furniture brands are broadening their collections by designing pieces that seamlessly fit both outdoor and indoor spaces… B&B Italia’s outdoor collection included new additions to their outdoor upholstery offering,’ he added, ‘with its outdoor fabrics mimicking the feel and appearance of their indoor textile range.’



B&B Italia Outdoor now features the expanded Erica collection of armchairs, sofas, tables and a daybed by Antonio Citterio, adding to a range that has grown significantly in depth and expertise since B&B Italia first launched their outdoor range with the Softcage by Mario Bellini in 1975. The flexibility of the Erica collection and its highly crafted details and fabrics makes it a category standout.

Baxter's elegant Casa Sul Lago on Lake Como is a key location for the brand's Milan Design Week installations. Photo c/o Baxter.

The Dabliou chair designed for the outdoors by Arianna Lelli Mami and Chiara Di Pinto of Studiopepe has a distinct attitude in tune with the pared back elegance of designer Eileen Grey. Photo c/o Baxter.

The Eileen outdoor sofa by Baxter, photographed at Casa Sul Lago on Lake Como. Photo c/o Baxter.

The Fillet chair designed by Giacomo Moor for Living Divani is the perfect balance between lightness and solidity. Photo c/o Space.

Living Divani celebrated 30 years of Piero Lissoni’s Frog chair with the new Super Frog for the outdoors. Photo c/o Space.

The Etoile stool and high table designed by Marco Carini for Living Divani. Photo c/o Living Divani.

At Baxter, the new ‘Open-Air’ Dabliou chair and lounge designed by Arianna Lelli Mami and Chiara Di Pinto of Milan-based Studiopepe takes an approach to design that has a distinct attitude. Evoking the industrial meets craft refinement of iconic Irish designer Eileen Grey, the chair’s form in folded stainless steel wire, polished or powder coated, has a seat and backrest beautifully woven with paper cord detailing.

While at Living Divani the brand celebrated 30 years of Piero Lissoni’s Frog chair with the new Super Frog for the outdoors. Inside Living Divani’s showroom illustrations by Leonie Bos showed its history and evolution across the decades. From the experimental prototypes of the early 1990s to the versions in the catalogue today, it presented the special 30th anniversary Super Frog with an enhanced thickness and striking aluminium frame. Bolder than the original, it still portrays the features that have made it one of the brand’s most iconic designs.

Industry meets craft in Baxter's Dabliou chair and lounge, here and below/right, designed by design duo Arianna Lelli Mami and Chiara Di Pinto of Studiopepe. Photographed at Casa Sul Lago on Lake Como. Photos c/o Baxter.

Industry meets craft in Baxter's Dabliou chair and lounge, here and below/right, designed by design duo Arianna Lelli Mami and Chiara Di Pinto of Studiopepe. Photographed at Casa Sul Lago on Lake Como. Photos c/o Baxter.

The Etoile high stool and table by Living Divani. Photo c/o Space.

The Etoile high stool and table by Living Divani. Photo c/o Space.

The Kasumi outdoor sofa, armchair and table collection designed by Mist-o for Living Divani. Photo c/o Living Divani.

The Kasumi outdoor sofa, armchair and table collection designed by Mist-o for Living Divani. Photo c/o Living Divani.

The Asia outdoor sofa collection by Piero Lissoni for Kartell. Photo c/o Kartell.

The Asia outdoor sofa collection by Piero Lissoni for Kartell. Photo c/o Kartell.

Home office

Baxter and Gebrüder Thonet Vienna were the standout brands for desks, our favourites including the brandy lacquered Aegates by Baxter, the interconnected elements of Blend by Federico Peri, also for Baxter, and the re-edition of the Boomerang desk by Gebrüder Thonet Vienna, first designed by Enzo Mari in 2001. ‘Gebrüder Thonet Vienna is very considered,’ remarked Leighton Clarke, the CEO of Space and Poliform, ‘they are continuing to play with colour and they have brought archival pieces into the collection in response to the market.’


The new Aegates writing desk explored Baxter's beautifully enhanced finishes in glossy lacquers. Its softly enveloping top is a sculpted ode to writing, dynamic and visually light with a cleverly concealed drawer finished in contrasting dark anthracite or stained ash. Adding to their collection, Baxter also released Blend, by Federico Peri, a leather covered writing desk designed around a single supporting leg, with a top that seems to extend with natural lightness and a curved volume that integrates discrete storage.

While the legendary Enzo Mari, inspired by boomerang-shaped beams used in architecture, curved laminated beech to create a lighter than light design with slender legs and an extra-clear tempered glass top to accentuate its curves. It is an essential and rational construction and pure Enzo Mari.

The Blend desk designed by Federico Peri for Baxter, photographed inside Casa Sul Lago on Lake Como. Photo c/o Baxter.

The Blend desk designed by Federico Peri for Baxter, photographed inside Casa Sul Lago on Lake Como. Photo c/o Baxter.

The new Aegates writing desk by Baxter in a glossy buttery lacquer finish. Photo c/o Baxter.

The new Aegates writing desk by Baxter in a glossy buttery lacquer finish. Photo c/o Baxter.

The re-edition of Enzo Mari's Boomerang desk by Gebrüder Thonet Vienna. Photo c/o Gebrüder Thonet Vienna.

The re-edition of Enzo Mari's Boomerang desk by Gebrüder Thonet Vienna. Photo c/o Gebrüder Thonet Vienna.

Storage & Accessories

The super flexible Trays storage system designed by Piero Lissoni for Kartell. Photo c/o Space.

The Lepid credenza and wall unit designed by Patricia Urquiola for Kartell join a system of designs that explore rhythm and movement that feels spontaneous. Photo c/o Space.

The Storet cabinet designed by Nando Vigo for Acerbis in new vibrant green. Photo c/o Acerbis.

B&B Italia’s extension of the popular Jack storage system designed by Michael Anastassiades is taller and creates the perfect room divider. Photo c/o Space.

The Flat C storage collection by Antonio Citterio, here and below/right, has also been expanded, with B&B Italia now including a polished metal finish. Photos c/o B&B Italia.

From Kartell Trays, WiseWise and Lepid storage ranges, Living Divani's Aero T, the Glas Italia Ollie and Quantum, to B&B Italia’s extensions of the popular Flat C and Jack storage collections, designers focused on creating clever ways to store and place books and objects in a range of beautiful materials. For B&B Italia that meant metallic and chrome, with the highly polished new version of Flat C, and the new edition of Jack that is taller to create the perfect room divider.

Launching three new storage systems, the Kartell collection included Trays and WiseWise by Piero Lissoni. Described by the designer as ‘mini modular architecture’, the WiseWise shelving system is made up of a structural system incorporating individual containers and boxes to conceal and display books and objects. While the graphic Lepid system by Patricia Urquiola is a play on lines and graphics. Combining shelves, sideboards and consoles, its language the designer remarked, ‘made of joints and light overlaps, infusing rhythm and dynamism into the structure.’

A collection that explores the expressive potential of glass, this year designer Michael Anastassiades added to the Kazimir collection of low tables and consoles for Glas Italia. The new Kazimir bookcase, that can be wall-mounted in either orientation, is made of 10 millimetre tempered green, or extra-clear double-sided acid-etched glass, composed of interlocked and overlapping sheets in an ode to purity of form. Yabu Pushelberg designed the Ollie shelving system, a balance of static complexity and flexibility. Patricia Urquiola's Opalia collection included s console made by melting crystal scraps with special additives to obtain irregular glass masses to create a form full bubbles and wavy surfaces. While Quantum, designed by Piero Lissoni, is a modular bookcase made of glass boxes in different sizes, deliberately overlapped in a misaligned and irregular way.

In-sync with the myriad of beautiful storage systems and artful interventions that are both practical and playful, standout objets by iconic Italian ceramic makers Bitossi and Bosa included the lyrical Danza collection by Jaime Hayon at Bosa, and a further development of Patricia Urquiola’s constructivist-influenced architectural forms for Bitossi Ceramiche.

The Lloyd storage system by Baxter. Photo c/o Baxter.

The Lloyd storage system by Baxter. Photo c/o Baxter.

The Pierce cabinet designed by Draga & Aurel for Baxter. Photo c/o Baxter.

The Pierce cabinet designed by Draga & Aurel for Baxter. Photo c/o Baxter.

The new Kazimir shelving system can be wall-mounted in either orientation, with interlocked and overlapping glass sheets that creates pure form. Photo c/o Glas Italia

The new Kazimir shelving system can be wall-mounted in either orientation, with interlocked and overlapping glass sheets that creates pure form. Photo c/o Glas Italia

Yabu Pushelberg's Ollie shelving system for Glas Italia is a balance of static complexity and flexibility. Photo c/o Glas Italia.

Yabu Pushelberg's Ollie shelving system for Glas Italia is a balance of static complexity and flexibility. Photo c/o Glas Italia.

The Quantum storage system by Piero Lissoni for Glas Italia. Photo c/o Glas Italia.

The Quantum storage system by Piero Lissoni for Glas Italia. Photo c/o Glas Italia.

The flexible Trays storage and table collection designed by Piero Lissoni for Kartell. Photo c/o Kartell.

The flexible Trays storage and table collection designed by Piero Lissoni for Kartell. Photo c/o Kartell.

Detail of the Trays collection by Piero Lissoni for Kartell. Photo c/o Kartell.

Detail of the Trays collection by Piero Lissoni for Kartell. Photo c/o Kartell.

The WiseWise storage system by Piero Lissoni for Kartell. Photo c/o Kartell.

The WiseWise storage system by Piero Lissoni for Kartell. Photo c/o Kartell.